Saturday, December 17, 2011

GLOBALIZATION: Theory and Interpretation

            Over the last couple decades, people have been taking notice of the impact of ideas, values, and practices on diverse societies as the exchange of goods crosses borders, and people flow from one country to the other with increasing ease.  Individuals and families take up residence in foreign lands and maintain close links with loved ones in their native homes as a result of efficient and affordable means of travel and communication.  More than ever, the decisions of one government have broad effect on nations across the planet.  These factors define the elements of globalization. (Inda and Rosaldo, 2002)  A heightening of connections between vastly diverse populations over the past twenty years has created a world in flux.  This incessant interaction results in the transformation of cultures around the globe.  Modern intellectuals analyze the effects of globalization on perceptions of time and space.  Anthropologists also concern themselves with the consequences of this metamorphosis, as well as the incorporation of foreign concepts between global and local communities.             
            One scholar, David Harvey, developed the globalization theory of time-space compression.  In his work, he explains that influence of technological and economic advancements have changed our understanding of time and its relation to distance.  People can now traverse oceans in a matter of hours. Where as, a hundred years ago, the jaunt would have taken weeks.  Miles or kilometers no longer hinder travel, nor do weeks or months.  Satellite communication enables participation in a broad range of events occurring on opposite ends of the planet.  He relates these thoughts to movement away from centralized production of goods, and increasing exchange of commodities.  (Inda and Rosaldo, 2002)  In his view, shifts in corporate organizational structure and new technology bring about a decrease in the amount of time it takes to produce and distribute a particular item.  As a result, time and space have been compressed, allowing interaction among diverse societies previously unperceived.  In addition, these developments bring about the transformation of entire groups of people.  Alterations in social lives spurned another theory of globalization.
            Time-space distanciation came about through the studies of Anthony Giddens.  He theorized that an individual’s social life is made up of two types of interactions.  Relations among members of the same local population are characterized by presence.  Consider these to be everyday occurrences, and human history defines itself in these collaborations.  Relationships characterized by absence have emerged due to socioeconomic globalization.  These connections across space and time increase the influence of remote events outside of an individual’s localized activities, forming distanciated relations.  In Giddens’ view, globalization develops an increase in relations to distant social figures and occurrences.  At the same time, local phenomena are shaped by events across great distances.  As a consequence, people become more influenced by absent others as concerns of present activities dwindle. (Inda and Rosaldo, 2002)
            These prominent globalization theories exemplify its significance in perceptions of space and time. The concepts presented function in many aspects of cultural behavior and act in various arenas.  The economic, political, and environmental ramifications of globalization are subject to interpretation through unique circumstances, worldwide.  The representative opinions of our neighbor to the South, Cuba show a view of things supported by many in the intellectual domain.
            Fidel Castro leads the Marxist regime of Cuba as he has for over forty years.  The country’s historic opposition to capitalistic ideals produces a predictable interpretation of the historical and modern contexts of globalization.  As the nation’s figurehead, Castro relates his opinions to interested parties around the world by performing speeches at various events and conferences.  (Castro, 1999)  During these orations, Castro supports the intellectual concepts of imperialist globalization and homogeneity.
            The discourse of imperialist globalization results from concern for the perceived cultural economy of globalization.  This represents the movements and shifts in symbolic meaning through diverse societies.  (Inda and Rosaldo, 2002) These transformations do not occur in equal measure, cross-culturally.  The concept of cultural imperialism involves the dominating transfer of cultural goods from developed countries to nations stricken with poverty.  In other words, The West, specifically, the United States and other First World nations traffic the flow of culture and overwhelm Third World countries with the infiltration of goods, values, and technologies.  These peripheral cultures become absorbed into a homogenized monoculture of imperialism.  This sums up a perception of increasing global conformity presented by Ulf Hammerz.  (Inda and Rosaldo, 2002)
            Castro coins the concept as neo-liberal globalization, but the implications are identical.  He sees these forces as a “law of history.”  Castro explains these forces as the result of advancements in the production methods governing economies of industrialized nations.  He states that global movement of these developments supports a vision of Western domination.  United States led neo-globalization seeks to transform autonomous nations into private property.  In his view, imperialist globalization represents the attempts of wealthy regimes to attain the capital interests of another sovereign nation. (Castro, 1999)  He witnessed this in Cuba during the early to mid twentieth century as North American entrepreneurs sought escape from the United States government prohibition of alcohol and gambling.  American accumulated capital interests throughout the nation, customizing establishments and tourism to their tastes and standards.  Modification of the Cuban cultural setting occurred, altering Cubans’ perceptions of ordinary life. (Miller and Kenedi, 2003)  Castro explains that these developments turn people into foreigners within their own borders as institutions are accrued and manipulated by other countries.  He believes the ultimate result of these endeavors is to gain access to natural resources and a less expensive pool of laborers.  Once this is achieved, second rate employment flourishes as valuable technological industries remain in the West.  Consequently, decreased interest in educational concerns emerges because no industrialized mechanisms are produced within the peripheral culture.  As a result, those with higher education and those seeking higher education leave for the First World countries, depleting the intellectual resources of the effected nation and fostering its absorption into a homogenized global culture.
            John Tomlinson gives a similar vision of imperialist globalization. (Inda and Rosaldo 2002)  He states that globalization exists as the “instillation of Western versions of basic social reality.”   This implies the production of unification and standardization of lifestyles across diverse groups of people.  Castro speaks of the Western media establishment in relation to this concept.  In his opinion, the United States exploits valuable resources in the production of literature and commercial programs that are introduced into foreign societies.  Beggars and mundane laborers that appear as a result of globalization seek these media products.  Continuing, Castro states that the images of
“fancy cars with beautiful escorts...poison people with propaganda, so that beggars are also cruelly influenced and made to dream of a Heaven - unattainable for them - offered by capitalism.” (Castro, 1999) 
            The preceding quote hammers home the negative interpretation of globalization held by Fidel Castro.  He understands that his country will not advance without some sort of integration, but under current methodologies, nations that invite globalization sacrifice sovereignty because “...they are uniting, opening borders, applying the free circulation of capital, of workers, of technicians and creating common institutions that provide advantages only for [Western] countries.”  (Castro, 1999 - Brackets are mine)  He finds the patterns of consumption and conformity imposed on the world by neo-liberal globalization to be “sheer madness, chaotic and absurd.”  He concludes that he does not hate Americans.  He believes the citizens of this country to be generally pure of heart. In one final quote, Castro says, “it is a very high merit that so many altruistic people live in a place whose system only sows selfishness and the venom of individualism.”  (Castro, 1999)  His disdain for the current system of globalization is spoken with clarity and erudition, but it remains limited and uniformly minded in economy.
            Anthropologists around the world attempt to discount the discourse of imperialist globalization and homogenization as failing to accommodate the complexities of the interactions of the diverse societies of the world.  As stated in preceding paragraphs, proponents of cultural imperialism contend that the products introduced in globalization act upon the consumers, forcibly conforming them to Western structures of society.  
Subsequently, local ties are assuaged as broader concerns dominate.  This defines the
anthropological concept of deterritorialization.  As Giddens suggests, cultural relations become distanciated, but are eventually reintroduced in new cultural contexts of space and time through the process of reterritorialization.  Tamar Liebes and Elihu Katz maintain this anthropological view and support it through their study of the impact of the American television program, Dallas, on four distinct Israeli ethnic groups.  Each unique group interpreted the relationships portrayed in the program to the cultural symbols and meanings that they lived by.  The results show that Third World consumers do not simply conform and adopt the values and ideologies of the cultural products to which they are exposed.  (Inda and Rosaldo, 2002)  Marshal Sahlins concurs in his article, “Goodbye to Trists Tropes: Ethnography in the Context of Modern World History”.  (Journal of Modern History, 1993)  According to Sahlins, people create identities to distinguish themselves from members of foreign societies and dominating influences.  Cultural goods are always interpreted and customized by the receivers to fit within the context of their own unique cultures.  Since people understand and incorporate cultural products within their own system of beliefs, there will always be diversity and autonomy among various groups.
            Furthermore, though cultural flow primarily moves from First to Third World countries, some forces become introduced that have nothing to do with the Western world.  Unfortunately, the reality of these domains of cultural influence is neglected in the concept of imperialist globalization.  These circuits of cultural flow involve interaction between peripheral cultures.  (Inda and Rosaldo, 2002)  For example, manufacture of
goods from China are just as prolific as goods produced by Western societies.  Also, Indian films are of increased influence in many African countries.  These phenomena link countries without the concern of Western influence.  There is no allusion to this in Castro’s view of neo-liberal globalization.
            It is also evident that views of imperialist globalization tend to analyze cultural flow as moving from “the West to the Rest.” (Inda and Rosaldo, 2002)  The complexities of globalization are severely limited by this view.  Cultural goods are transferred from peripheral cultures to dominant ones as well.  A person needs only travel around his or her own community to find evidence.  Diverse establishments of ethnic cuisines are found throughout much of the world.  Turn on a radio and flip the dial around a bit.  One is bound to find a station playing music from brilliant artists from around the globe.  Also, take a look at religion.  Differing worldviews of spirituality permeate all localized societies.  Even in Cuba, there has been cultural flow from the island nation to other parts of the world.  The mambo, for instance, represents peripheral influence on dominating cultures.  As this type of music was introduced in the forties, it became a sensation around the world.  And, of course, people territorialized the sound to fit their specific cultural contexts.  In no time, literally dozens of interpretations of the music came into existence.  “Mambo Rock”, “Hillbilly Mambo”, and “Mambo Italiano” represent a few examples.  (Miller and Kenedi, 2003)  Most importantly, one must take migration into account.  Western societies become a melting pot of incommensurable ways of life as people move through transnational migrant circuits.  (Inda and Rosaldo, 2002)   As a result of this peripheral cultural flow, it is impossible for industrialized nations to maintain and distribute cultural homogeneity.   In actuality, heterogeneity arises.  Globalization is just too complex to be reduced to cultural flow in exclusive “West to Rest” patterns. 
            Ernesto Laclau developed the concept of dislocation, which refers to “...structures with displaced centers supplemented by a plurality of others.”  (Inda and Rosaldo, 2002)  This is the reality of globalization; a plurality of cultures, influencing and transforming others in the movement of cultural goods across the globe.  Sure, there is a McDonald’s in pretty much every region of the planet, but drive around your hometown.  Do you see any Chinese take-out or sushi restaurants?  In the Virginia-Highland district of Atlanta alone, a person can take their pick of half a dozen Thai eateries.  These things are the result of the open policies of the United States and are retributions of globalization.  Imperialist views can be positive force. They keep us aware of past mistakes and honest in future endeavors.  As far as Cuba is concerned, its leader’s view of neo-liberal globalization exists as a matter of perception.  Evidence can be found in support of the view as well as can be discovered to discount it.  In the future, perhaps a truly objective alternative can be developed to allow better relations with the independent country, which reside in the interests of both our nations.

Bibliography

Castro, Fidel.  On Imperialist Globalization.  Left Word.  India.  1999.

Inda, Jonathan Xavier and Renato Rosaldo.  The Anthropology of Globalization:  A       Reader.  Blackwell Publishers Ltd.  Malden, Massachusetts.  2002.

Miller, John and Aaron Kenedi.  Inside Cuba:  The History, Culture, and Politics of an               Outlaw Nation. Marlowe & Company.  New York, NY.  2003.

Sahlins, Marshall.  “Goodbye to Tristes Tropes:  Ethnography in the Context of Modern            World History”.  Journal of Modern History.  University of Chicago.  Chicago,       Illinois.  1993.

Jesus and Druids and Globalization


THE CHRISTMAS TREE:

"Long before the advent of Christianity, plants and trees that remained green all year had a special meaning for people in the winter. Just as people today decorate their homes during the festive season with pine, spruce, and fir trees, ancient peoples hung evergreen boughs over their doors and windows. In many countries it was believed that evergreens would keep away witches, ghosts, evil spirits, and illness.

Early Romans marked the solstice with a feast called the Saturnalia in honor of Saturn, the god of agriculture. The Romans knew that the solstice meant that soon farms and orchards would be green and fruitful. To mark the occasion, they decorated their homes and temples with evergreen boughs. In Northern Europe the mysterious Druids, the priests of the ancient Celts, also decorated their temples with evergreen boughs as a symbol of everlasting life. The fierce Vikings in Scandinavia thought that evergreens were the special plant of the sun god, Balder.

Germany is credited with starting the Christmas tree tradition as we now know it in the 16th century when devout Christians brought decorated trees into their homes. Some built Christmas pyramids of wood and decorated them with evergreens and candles if wood was scarce. It is a widely held belief that Martin Luther, the 16th-century Protestant reformer, first added lighted candles to a tree. Walking toward his home one winter evening, composing a sermon, he was awed by the brilliance of stars twinkling amidst evergreens. To recapture the scene for his family, he erected a tree in the main room and wired its branches with lighted candles."


THE MISTLETOE:

"From the earliest times mistletoe has been one of the most magical, mysterious, and sacred plants of European folklore. It was considered to bestow life and fertility; a protection against poison; and an aphrodisiac. The mistletoe of the sacred oak was especially sacred to the ancient Celtic Druids. On the sixth night of the moon white-robed Druid priests would cut the oak mistletoe with a golden sickle. Two white bulls would be sacrificed amid prayers that the recipients of the mistletoe would prosper. Later, the ritual of cutting the mistletoe from the oak came to symbolize the emasculation of the old King by his successor. Mistletoe was long regarded as both a sexual symbol and the "soul" of the oak. It was gathered at both mid-summer and winter solstices, and the custom of using mistletoe to decorate houses at Christmas is a survival of the Druid and other pre-Christian traditions."


BASICS OF GLOBALIZATION THEORY:

"Deterritorialization is the removal of cultural subjects and objects from a certain location in space and time. It implies that certain cultural aspects tend to transcend specific territorial boundaries in a world that consists of things fundamentally in motion."

"Reterritorialization is when people within a place start to produce an aspect of popular culture themselves, doing so in the context of their local culture and making it their own."


MY POINT here is that most complex societies throughout the world and history have held this time of year sacred for one reason or another.  I think that if we can gain an understanding of these concepts, we can begin to realize our shared history instead of exaggerate our differences.  We can come to terms with the plurality of humanity and celebrate the ways we are interconnected.




Friday, October 21, 2011

DAMNED by Chuck Palahniuk

My copy of Chuck Palahniuk's new book, DAMNED.  I arrived complete with inscription, three Atomic Fireballs, hot pepper seeds, and promo postcards from the Lake of Tepid Bile and Hot Saliva Falls.


Postcards From The Future: Chuck Palahniuk

"Postcards From The Future" is a documentary about Chuck Palahniuk.  I've known about it for years, and I've owned it for two.  But I'd never watched it.  I think it's because I simply wasn't ready to.  After watching it tonight, I've had my batteries recharged; much like I did after the event I attended in June '08 (search blog for the recap).

The clip below has finally driven home the reason I've had such a hard time with my writing. The overt approach really has no meaning after Columbine and 9/11. I need to fabricate subtlety.



The next clip resembles a personal philosophy, but it says it SO much better.  I've been struggling with how best to deal with my feelings regarding our financial system, tea partiers, occupiers, etc.  I had decided to make it a non-issue.  Take the power away from the issue by living outside of it.  We have to exist within it, but we don't have to acknowledge or patronize it.  Construct a different idea.  Live it.

Sunday, October 09, 2011

It's John Lennon's Birthday

Buffalo Bill's by E.E. Cumming

Link to the poem followed by analysis:

http://boppin.com/cummings.html

...The subject of this portrait is not, as commentators have assumed, Buffalo Bill. Neither is the poem merely a modern expression of the convention of sic transit gloria mundi, of which the appropriate tone would be sadness. The speaker praises the dead celebrity but also disparages him. The reason for the disparagement cannot be, as one reader has suggested, disapproval of Cody's "blend of hero and charlatan" or reduction of "heroic deeds to circus stunts." The speaker clearly admires the showmanship. Instead, he disparages Buffalo Bill merely to exceed him in worth or stature. The poem is a self-portrait of an admiring but also disdainful speaker, unaware of a logical flaw in his reasoning and the profound irony of his situation.

The speaker admires Buffalo Bill's skill in shooting and his good looks. He also admires the horse Buffalo Bill rode, which had symbolic affinity with its rider since it was male (a "stallion") and "silver," like silver-haired Bill Cody in old age. The speaker's admiration is preceded, however, by irony and followed by sarcasm. The word "defunct" instead of "dead" implies callous or humorous indifference to or even approval of Buffalo Bill's death, and the question "how do you like your blueeyed boy" sarcastically belittles Buffalo Bill and conveys the speaker's sense of superiority over him. Furthermore, the possession by "Mister Death" of a blue-eyed boy has pederastic connotations. The celebrity Buffalo Bill was skillful, superior, and, in the last years of his life, the most famous man in the world. But now he is dead and, the speaker assumes, it is better to be alive than dead. So death, which cancelled Buffalo Bill's skill and erased his good looks, gives the speaker an advantage over him....

...Logically, the self-elevation of the speaker is nonsense, since the dead (nonexistent) differ categorically from the living.... The gloating self-evaluation of the speaker has no reasonable foundation. It is also and more obviously ridiculous because he fails to take into account his own mortality. The poem contains the theme of the passing of worldly glory, but its principal meaning is that pride is blind and goeth before a fall....

From Thomas Dilworth, "Cummings' 'Buffalo Bill's.'" Explicator 53 (1995): 174, 175.

Friday, October 07, 2011

Harrison Bergeron and 12:01 PM

My folks always had to be different. Instead of Atari, we had an Odyssey. No Swatches; we had Coca-Cola watches. Finally, we had Showtime instead of HBO. The latter actually wasn't that bad. I think the original programming on Showtime was superior in 80s and early 90s. Below are a couple examples. Unfortunately, these movies cannot be found on DVD:



Harrison Bergeron is one of my favorite short stories, and shamefully, the only Vonnegut I've ever read.



12:01 PM was a production featured as a "Showtime 30 Minute Movie," a series of short films. It's dark and tragic, nothing like "Groundhog Day" or that trash film starring Jonathan Silverman. I believe this is full feature.

Wednesday, October 05, 2011

Greg Palast: Investigative Journalist

You have to include Greg Palast if you truly want a well rounded perspective on current events. His reports are the content of my nightmares. As I read, I always hope he's as wrong as his polar opposite, Limbaugh, but..

http://www.gregpalast.com/

Monday, September 26, 2011

IN THE SUBURBS by Louis Simpson

There’s no way out.
You were born to waste your life.

You were born to this middleclass life
As others before you
Were born to walk in procession
To the temple, singing.

Wednesday, August 24, 2011

Links on Writing

I am always looking on the web for tips and tricks. Below you will find a series of links I have found interesting:

This link is an interesting piece on story revision by Joe Hill.

http://joehillfiction.com/?p=1909

Here is a link to some sample scripts by Warren Ellis.

http://www.warrenellis.com/?p=10319


This link has all kinds of stuff, but I haven't really checked it out yet.

http://www.bestcollegesonline.com/blog/2009/02/05/top-100-creative-writing-blogs/

The best recommendation is to pay $40 a year and join the site below. It provides workshops, forums, tips, and assignments from Chuck Palahniuk. I know of no other author that is as involved in assisting burgeoning writers. It's well worth the price of admission.

http://chuckpalahniuk.net/

(This link is also in my side bar.)

Sunday, August 21, 2011

Zoroaster / Deck Specs

I hung out with Dan the drummer from Zoroaster last night.



I'd met him a few times over the years, but I really got to talk to him for a while last night. Turns out, in addition to melting faces, he is a partner in a sunglasses company called Deck Specs. These are manufactured from recycled skateboard decks by a master carpenter on North Avenue near Atlantic Station. It's a great idea, and a great concept; even if I, personally, can't pull off wearing the shades. At $60 bucks a pop, they're reasonably priced. Look for them at spots around Atlanta and skate shops in the Southeast. Below is the only photo I could find on the web:

deck specs. recycled skateboard sunglasses.

Cradle Me Sky

http://www.cradlemesky.com/

An original 'toon from the people at redrocket.com Posted here for later consumption.

Red Rocket: Original Art From An Atlanta Area Artist

http://www.redrocketfarm.com/

I've wanted to decorate the boys' room with this guy's paintings since meeting him at one of the Atlanta fall festivals a few years ago. When you see him set up, he'll do customized drawings for only about $10. He creates great characters in a unique style. The paintings are quite affordable considering, but I can't really justify dropping $500 to decorate a bedroom. I really would like to commission him to do a mural in their room. Dream big, right?

He's always around at N. Georgia art festivals. Check him out and buy some stuff.

Wednesday, August 17, 2011

RECIDIVISM

I did not even know I knew this word existed until I woke with it in my head Monday morning. I had to look it up to find its meaning. Isn't that strange. A word... I often wake with songs in my head. I time my sleep, so I wake up during a dream cycle. (A trick I leaned when reading about how to have lucid dreams.) So I often remember what I was dreaming. But to recall a word; a specific, uncommon word; a previously unknown word.

Recidivism: the act of a person repeating an undesirable behavior after they have either experienced negative consequences of that behavior, or have been treated or trained to extinguish that behavior.

Such a great word. My children practice the philosophy of recidivism. (Always use a new word in a sentence, right.) Why did I wake with it in my head?

Wednesday, August 10, 2011

Geographic Concentration of Inspiration

In the last ten or so years there have been two geographic areas that have been sources of musical and literary influence:

England: Radiohead, Clinic, The Beta Band, Warren Ellis, Neil Gaiman, Garth Ennis
Oregon: Modest Mouse, The Shins, Chuck Palahniuk

I find it odd that the music and words I look to for inspiration are located in these two geographic concentrations. If I were to extend Oregon to include the Northwest, you can add Nirvana, Pavement, Built to Spill and Tom Robbins (though I grew tired of his work after 4 or 5 books.) I'm not sure if it's the dreary melancholy of the weather these two share. It could be the paranoid secularism of England. It could be the transgressive and progressive nature of the Pacific Northwest. In any case, I am drawn to these sources time and time again.

Sunday, August 07, 2011

IN THE SHADOW OF NO TOWERS by Art Spiegelman

http://www.randomhouse.com/pantheon/graphicnovels/towersHomeless.html

"For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day.

Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.

He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey—with his singular artistry and his characteristic provocation, outrage, and wit—the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy."

(Thanks, Jeremy.)

I often wonder...

Tuesday, August 02, 2011

Friday, July 29, 2011

Radiohead - FOLLOW ME AROUND

"You will become a hypocrite. You'll become a liar. You'll try to paper up your own cracks. And everybody does it, and that's what being an adult is. ...sorry."


This song and Thom's quote have been in my head all day. A bit of dismal realism is good on occasion. It keeps you honest. As for the song, I only know of it from the documentary, "Meeting People is Easy."

Saturday, July 16, 2011

Gullah: Where did "ya'll" come from?

What follows is a brief report on a lecture about the Gullah. It lacks detail, but it serves as a decent introduction this Creole language.

GULLAH

Jerry Moss is an academy award nominated filmmaker who visited class to discuss the Creole language, Gullah. He began by briefly outlining the circumstances in which the language developed. During British expansion, the territory known as Georgia was colonized by the second and third sons of prominent families. Rice farming was more desirable that cotton, but due to the irrigation needs of the crop, coastal locations were essential. It was difficult and complicated to condition the land, as it had to be dredged manually; therefore, land owners sought specialists from the Rice Coast of Africa. These specialists supervised and directed the slaves working the fields. As a result, Gullah began as the pidgin spoken on rice plantations, which were located along the Eastern Seaboard, from North Florida to North Carolina. It started out of the necessity for efficient communication among landowners and specialists; specialists and laborers.

Two things must be considered when considering the conditions that brought the language into fruition. One must first pay attention to the labor system of most rice plantations that existed. Task systems were incorporated as the desired labor system. Under this mechanism, slaves had free time to spend after their chores were completed. This allowed for many leisure activities that would have encouraged casual communication among the laborers, which were from diverse societies in Africa. Development of a pidgin would have been essential. Also, during the summer, no whites were around at all. In other words, no native English speakers were on the plantations. This brought about a language more influenced by African retention. Lorenzo Turner investigated the Gullah and discovered over 1400 words retained from African languages. There are few remaining English influenced words in use today.

Mr. Moss spoke briefly about the grammar, and I mean really briefly. He stated the language has a word for second person plural, “ya’ll."

Friday, July 15, 2011

Dead Eyes Open: Free Web Zombie Comic

http://deadeyesopen.com/dead-eyes-open-1-cover/

This comic is an introduction to what is great about zombie literature. Like good science fiction, it uses the subject matter to address complex social issues. It helps you step outside of reality to view events more objectively. Enjoy...

Thursday, July 07, 2011

Even as I left Florida...

I moved from Jacksonville ten years ago this week. It was only four formative years, but I had a lifetime of experiences. Rarely a day goes by that I don't think of someone I knew or something that happened there. Granted, I lived in Tallacrappy a while before moving to Atlanta, but I think of those months as sort of a decompression chamber.

Saturday, July 02, 2011

SIGNAL by Paul Duffield

http://www.spoonbard.com/signal/

This comic by the illustrator of http://www.freakangels.com/ is absolutely beautiful. As the site mentions, it is inspired by SETI and Carl Sagan's COSMOS series.

On a personal note, it parallels the most lucid dream I've ever had:

I was in my late teens, still living with my folks. In the dream, I walk through their kitchen and suddenly realize I am dreaming. To test this, I stand in front of the screen door leading to the front yard. I thrust my arms forward and blow the door of its hinges, sending it flying to land crumpled on the lawn. To go a bit further, I begin doing somersaults across the grass until I reach the drive way. I then look up, take a few steps forward and take flight.

At this point it becomes a balancing act to keep this state of mind. I soon get control, and I find that the harder I tighten my fists, the faster and further I travel. I streak into the farthest reaches of space until I stop in this area of gaseous "caterpillars." I realize I am witnessing the birth of stars in some sort of galactic incubator.

I wake.

Saturday, April 30, 2011

The Imagination Age

"Active participants in the Imagination Age are becoming cultural ambassadors by introducing virtual strangers to unfamiliar customs, costumes, traditions, rituals and beliefs, which humanizes foreign cultures, contributes to a sense of belonging to one’s own culture and fosters an interdependent perspective on sharing the riches of all systems. Cultural transformation is a constant process, and the challenges of modernization can threaten identity, which leads to unrest and eventually, if left unchecked, to violent conflict. Under such conditions it is tempting to impose homogeneity, which undermines the highly specific systems that encompass the myriad luminosity of the human experience." - Rita J. King

http://theimaginationage.net/

http://sciencehouse.com/

Modest Mouse Debuts New Song at Issac Brock's House :: Music :: News :: Paste

Modest Mouse Debuts New Song at Issac Brock's House :: Music :: News :: Paste

Wednesday, April 06, 2011

Sin City Trade Paper Back Lot

Big time eBay comics score:

Photobucket

Sin City

Dame to Kill for

Big Fate Kill

That Yellow Bastard (Hard Cover)

Booze Broads and Bullets

Hell and Back

Family Values


Low final bid + groupon = $13.14 TOTAL

Danger Mouse and Friends



Danger Mouse collaborations are currently my preferred listening material:

"Modern Guilt" w/ Beck

"Broken Bells" w/ James Mercer

Dark Night of the Soul w/ Sparklehorse and assorted awesome folk.

He puts his thumbprint on everything, and it all has a unique flavor. I can't wait for "Rome" to come out next month, with Danielle Luppi, Jack White and Norah Jones.

Monday, April 04, 2011

Where In Mongolia Is The Tomb Of Ghengis Khan?

From your recliner, tag satellite photos of Northern Mongolia in the search of the most prolific procreator of all time. I can't think of a better was to "waste" time. What are you going to do; watch another television show?

http://exploration.nationalgeographic.com/mongolia/

PRECISION

PRECISION

This is one of the MANY interesting things I routinely pick up from the social networking of Warren Ellis.

Sunday, April 03, 2011

THE TEMPLE MOUNT: The Most Significant Piece of Real Estate in Monotheistic Culture

Though a bit confusing, this article gives a great synopsis of the most significant piece of real estate in monotheistic culture. I do not recommend paying much attention to the archaeologist's opinions regarding the site, as the material was not found in situ. Once the items are out of context, a serious scholar can not reliable interpret the data.

What is Beneath the Temple Mount?

MGMT - Kids and Flash Delirium

KIDS



FLASH DELIRIUM



I love MGMT videos as much as their songs. These are especially awesome/innovative/twisted/etc.

Whoever Brought Me Here, Will Have To Take Me Home

All day I think about it, then at night I say it.
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I'm sure of that,
and I intend to end up there.

This drunkenness began in some other tavern.
When I get back around to that place,
I'll be completely sober. Meanwhile,
I'm like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
but who is it now in my ear who hears my voice?
Who says words with my mouth?

Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn't come here of my own accord, and I can't leave that way.
Whoever brought me here, will have to take me home.

This poetry. I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it,
I get very quiet and rarely speak at all.

- RUMI (Translated by Coleman Barks)

Tuesday, March 01, 2011

Trent Reznor won an Oscar...?

...And it made me think of my favorite "industrial" band, Pitchshifter. Instead of simple, dismal notions of depravity over drum machines and samples, Pitchshifter came with well-crafted anti-establishment counter propaganda and British brand paranoia... and subliminal messages. Which as far as I can tell, compelled listerners to eat cold cuts.


(Sorry, no videos of my favorites on Youtube.)

Monday, February 28, 2011

RIVAL SCHOOLS - Wring It Out

Walter Schreifels has been writing this kind of song for more than 20 years. There's nothing new and innovative here, but that doesn't mean I am able to get it out of my head. See also, Gorilla Biscuits and Quicksand:

Sunday, February 27, 2011

FULL DARK, NO STARS

Photobucket


Just finished this King novel. Read it in under a week, in fact. Not much of an accomplishment in prior years, but with a wife who works nights and two children, I'd say its pdq.

Four great page burning stories that do what Mr. King does best: The pages melt away, and you are immersed in his world. I don't know how he does it. I try to pay attention to his technique, but instead I get lost in the story. Which is why I remain a "Constant Reader."

He did use some of his old tricks in these stories. No one pissed themselves, but two characters clenched their fists painfully tight. None to the point of bleeding, like in many of his stories. And shockingly, there was only one "Ayuh," though three of the tales were set in Maine.

Despite twenty years of reading his material, I have many books left to consume. No doubt, Absent Reader, I will get to them all.

INVICTUS

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.

William Ernest Henley



Finally watched "Invictus" last night. Difficult to imagine the horrors experienced by Mandela and his family, and the compassion born after his strife is something we should all seek.

Friday, January 21, 2011

CLINIC: Why do I like this band so much?

I have posted about this U.K. band in the past, but I've been listening to them a lot lately. Specifically this song, and the entire album, Winchester Cathedral:



It's been 9 years since Paige and I moved to Atlanta, and Clinic was the first show we saw here. It was out in East Atlanta, at a club called the Echo Lounge. We had never even heard their music. I had read about them in Spin and noticed they were in town that week. "Walking with Thee" had just been released, so they primarily played these songs:
http://www.amazon.com/gp/recsradio/radio/B00005YX3X/ref=pd_krex_dp_001_001?ie=UTF8&track=001&disc=001
From then on, I was hooked.