Saturday, December 17, 2011
GLOBALIZATION: Theory and Interpretation
Jesus and Druids and Globalization
Early Romans marked the solstice with a feast called the Saturnalia in honor of Saturn, the god of agriculture. The Romans knew that the solstice meant that soon farms and orchards would be green and fruitful. To mark the occasion, they decorated their homes and temples with evergreen boughs. In
"From the earliest times mistletoe has been one of the most magical, mysterious, and sacred plants of European folklore. It was considered to bestow life and fertility; a protection against poison; and an aphrodisiac. The mistletoe of the sacred oak was especially sacred to the ancient Celtic Druids. On the sixth night of the moon white-robed Druid priests would cut the oak mistletoe with a golden sickle. Two white bulls would be sacrificed amid prayers that the recipients of the mistletoe would prosper. Later, the ritual of cutting the mistletoe from the oak came to symbolize the emasculation of the old King by his successor. Mistletoe was long regarded as both a sexual symbol and the "soul" of the oak. It was gathered at both mid-summer and winter solstices, and the custom of using mistletoe to decorate houses at Christmas is a survival of the Druid and other pre-Christian traditions."
"Deterritorialization is the removal of cultural subjects and objects from a certain location in space and time. It implies that certain cultural aspects tend to transcend specific territorial boundaries in a world that consists of things fundamentally in motion."
"Reterritorialization is when people within a place start to produce an aspect of popular culture themselves, doing so in the context of their local culture and making it their own."
Monday, October 31, 2011
Saturday, October 22, 2011
LitReactor
http://litreactor.com/
Friday, October 21, 2011
DAMNED by Chuck Palahniuk
Postcards From The Future: Chuck Palahniuk
The clip below has finally driven home the reason I've had such a hard time with my writing. The overt approach really has no meaning after Columbine and 9/11. I need to fabricate subtlety.
The next clip resembles a personal philosophy, but it says it SO much better. I've been struggling with how best to deal with my feelings regarding our financial system, tea partiers, occupiers, etc. I had decided to make it a non-issue. Take the power away from the issue by living outside of it. We have to exist within it, but we don't have to acknowledge or patronize it. Construct a different idea. Live it.
Thursday, October 20, 2011
"Statuesque" - Short Film Written and Directed by Neil Gaiman
Reminds me of a sweet, wholesome version of "Troll Bridge."
"We Can Get Them For You Wholesale" Neil Gaiman Comic Adaptation
http://www.kenmeyerjr.com/comics/story_wholesale1.htm
Monday, October 10, 2011
Sunday, October 09, 2011
Buffalo Bill's by E.E. Cumming
http://boppin.com/cummings.html
...The subject of this portrait is not, as commentators have assumed, Buffalo Bill. Neither is the poem merely a modern expression of the convention of sic transit gloria mundi, of which the appropriate tone would be sadness. The speaker praises the dead celebrity but also disparages him. The reason for the disparagement cannot be, as one reader has suggested, disapproval of Cody's "blend of hero and charlatan" or reduction of "heroic deeds to circus stunts." The speaker clearly admires the showmanship. Instead, he disparages Buffalo Bill merely to exceed him in worth or stature. The poem is a self-portrait of an admiring but also disdainful speaker, unaware of a logical flaw in his reasoning and the profound irony of his situation.
The speaker admires Buffalo Bill's skill in shooting and his good looks. He also admires the horse Buffalo Bill rode, which had symbolic affinity with its rider since it was male (a "stallion") and "silver," like silver-haired Bill Cody in old age. The speaker's admiration is preceded, however, by irony and followed by sarcasm. The word "defunct" instead of "dead" implies callous or humorous indifference to or even approval of Buffalo Bill's death, and the question "how do you like your blueeyed boy" sarcastically belittles Buffalo Bill and conveys the speaker's sense of superiority over him. Furthermore, the possession by "Mister Death" of a blue-eyed boy has pederastic connotations. The celebrity Buffalo Bill was skillful, superior, and, in the last years of his life, the most famous man in the world. But now he is dead and, the speaker assumes, it is better to be alive than dead. So death, which cancelled Buffalo Bill's skill and erased his good looks, gives the speaker an advantage over him....
...Logically, the self-elevation of the speaker is nonsense, since the dead (nonexistent) differ categorically from the living.... The gloating self-evaluation of the speaker has no reasonable foundation. It is also and more obviously ridiculous because he fails to take into account his own mortality. The poem contains the theme of the passing of worldly glory, but its principal meaning is that pride is blind and goeth before a fall....
From Thomas Dilworth, "Cummings' 'Buffalo Bill's.'" Explicator 53 (1995): 174, 175.
Friday, October 07, 2011
Harrison Bergeron and 12:01 PM
Harrison Bergeron is one of my favorite short stories, and shamefully, the only Vonnegut I've ever read.
12:01 PM was a production featured as a "Showtime 30 Minute Movie," a series of short films. It's dark and tragic, nothing like "Groundhog Day" or that trash film starring Jonathan Silverman. I believe this is full feature.
Wednesday, October 05, 2011
Greg Palast: Investigative Journalist
http://www.gregpalast.com/
Monday, September 26, 2011
IN THE SUBURBS by Louis Simpson
You were born to waste your life.
You were born to this middleclass life
As others before you
Were born to walk in procession
To the temple, singing.
Sunday, August 28, 2011
Saturday, August 27, 2011
Wednesday, August 24, 2011
Links on Writing
This link is an interesting piece on story revision by Joe Hill.
http://joehillfiction.com/?p=1909
Here is a link to some sample scripts by Warren Ellis.
http://www.warrenellis.com/?p=10319
This link has all kinds of stuff, but I haven't really checked it out yet.
http://www.bestcollegesonline.com/blog/2009/02/05/top-100-creative-writing-blogs/
The best recommendation is to pay $40 a year and join the site below. It provides workshops, forums, tips, and assignments from Chuck Palahniuk. I know of no other author that is as involved in assisting burgeoning writers. It's well worth the price of admission.
http://chuckpalahniuk.net/
(This link is also in my side bar.)
Sunday, August 21, 2011
Zoroaster / Deck Specs
I'd met him a few times over the years, but I really got to talk to him for a while last night. Turns out, in addition to melting faces, he is a partner in a sunglasses company called Deck Specs. These are manufactured from recycled skateboard decks by a master carpenter on North Avenue near Atlantic Station. It's a great idea, and a great concept; even if I, personally, can't pull off wearing the shades. At $60 bucks a pop, they're reasonably priced. Look for them at spots around Atlanta and skate shops in the Southeast. Below is the only photo I could find on the web:
Cradle Me Sky
An original 'toon from the people at redrocket.com Posted here for later consumption.
Red Rocket: Original Art From An Atlanta Area Artist
I've wanted to decorate the boys' room with this guy's paintings since meeting him at one of the Atlanta fall festivals a few years ago. When you see him set up, he'll do customized drawings for only about $10. He creates great characters in a unique style. The paintings are quite affordable considering, but I can't really justify dropping $500 to decorate a bedroom. I really would like to commission him to do a mural in their room. Dream big, right?
He's always around at N. Georgia art festivals. Check him out and buy some stuff.
Wednesday, August 17, 2011
RECIDIVISM
Recidivism: the act of a person repeating an undesirable behavior after they have either experienced negative consequences of that behavior, or have been treated or trained to extinguish that behavior.
Such a great word. My children practice the philosophy of recidivism. (Always use a new word in a sentence, right.) Why did I wake with it in my head?
Thursday, August 11, 2011
Wednesday, August 10, 2011
Geographic Concentration of Inspiration
England: Radiohead, Clinic, The Beta Band, Warren Ellis, Neil Gaiman, Garth Ennis
Oregon: Modest Mouse, The Shins, Chuck Palahniuk
I find it odd that the music and words I look to for inspiration are located in these two geographic concentrations. If I were to extend Oregon to include the Northwest, you can add Nirvana, Pavement, Built to Spill and Tom Robbins (though I grew tired of his work after 4 or 5 books.) I'm not sure if it's the dreary melancholy of the weather these two share. It could be the paranoid secularism of England. It could be the transgressive and progressive nature of the Pacific Northwest. In any case, I am drawn to these sources time and time again.
Sunday, August 07, 2011
IN THE SHADOW OF NO TOWERS by Art Spiegelman
"For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.
He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey—with his singular artistry and his characteristic provocation, outrage, and wit—the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy."
(Thanks, Jeremy.)
Tuesday, August 02, 2011
BOOMBOX - The Lonely Island feat. Julian Casablancas
Friday, July 29, 2011
Radiohead - FOLLOW ME AROUND
Sunday, July 24, 2011
"I Want To Get High, But I Don't Want Brain Damage."
Monday, July 18, 2011
Saturday, July 16, 2011
Gullah: Where did "ya'll" come from?
Two things must be considered when considering the conditions that brought the language into fruition. One must first pay attention to the labor system of most rice plantations that existed. Task systems were incorporated as the desired labor system. Under this mechanism, slaves had free time to spend after their chores were completed. This allowed for many leisure activities that would have encouraged casual communication among the laborers, which were from diverse societies in Africa. Development of a pidgin would have been essential. Also, during the summer, no whites were around at all. In other words, no native English speakers were on the plantations. This brought about a language more influenced by African retention. Lorenzo Turner investigated the Gullah and discovered over 1400 words retained from African languages. There are few remaining English influenced words in use today.
Mr. Moss spoke briefly about the grammar, and I mean really briefly. He stated the language has a word for second person plural, “ya’ll."
Friday, July 15, 2011
Dead Eyes Open: Free Web Zombie Comic
This comic is an introduction to what is great about zombie literature. Like good science fiction, it uses the subject matter to address complex social issues. It helps you step outside of reality to view events more objectively. Enjoy...
Thursday, July 07, 2011
Even as I left Florida...
Saturday, July 02, 2011
SIGNAL by Paul Duffield
This comic by the illustrator of http://www.freakangels.com/ is absolutely beautiful. As the site mentions, it is inspired by SETI and Carl Sagan's COSMOS series.
On a personal note, it parallels the most lucid dream I've ever had:
I was in my late teens, still living with my folks. In the dream, I walk through their kitchen and suddenly realize I am dreaming. To test this, I stand in front of the screen door leading to the front yard. I thrust my arms forward and blow the door of its hinges, sending it flying to land crumpled on the lawn. To go a bit further, I begin doing somersaults across the grass until I reach the drive way. I then look up, take a few steps forward and take flight.
At this point it becomes a balancing act to keep this state of mind. I soon get control, and I find that the harder I tighten my fists, the faster and further I travel. I streak into the farthest reaches of space until I stop in this area of gaseous "caterpillars." I realize I am witnessing the birth of stars in some sort of galactic incubator.
I wake.
Friday, July 01, 2011
Saturday, April 30, 2011
The Imagination Age
http://theimaginationage.net/
http://sciencehouse.com/
Wednesday, April 06, 2011
Sin City Trade Paper Back Lot
Danger Mouse and Friends
Danger Mouse collaborations are currently my preferred listening material:
"Modern Guilt" w/ Beck
"Broken Bells" w/ James Mercer
Dark Night of the Soul w/ Sparklehorse and assorted awesome folk.
He puts his thumbprint on everything, and it all has a unique flavor. I can't wait for "Rome" to come out next month, with Danielle Luppi, Jack White and Norah Jones.
Monday, April 04, 2011
Where In Mongolia Is The Tomb Of Ghengis Khan?
http://exploration.nationalgeographic.com/mongolia/
Sunday, April 03, 2011
THE TEMPLE MOUNT: The Most Significant Piece of Real Estate in Monotheistic Culture
What is Beneath the Temple Mount?
MGMT - Kids and Flash Delirium
FLASH DELIRIUM
I love MGMT videos as much as their songs. These are especially awesome/innovative/twisted/etc.
Whoever Brought Me Here, Will Have To Take Me Home
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I'm sure of that,
and I intend to end up there.
This drunkenness began in some other tavern.
When I get back around to that place,
I'll be completely sober. Meanwhile,
I'm like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
but who is it now in my ear who hears my voice?
Who says words with my mouth?
Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn't come here of my own accord, and I can't leave that way.
Whoever brought me here, will have to take me home.
This poetry. I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it,
I get very quiet and rarely speak at all.
- RUMI (Translated by Coleman Barks)
Tuesday, March 01, 2011
Trent Reznor won an Oscar...?
(Sorry, no videos of my favorites on Youtube.)
Monday, February 28, 2011
RIVAL SCHOOLS - Wring It Out
Sunday, February 27, 2011
FULL DARK, NO STARS
Just finished this King novel. Read it in under a week, in fact. Not much of an accomplishment in prior years, but with a wife who works nights and two children, I'd say its pdq.
Four great page burning stories that do what Mr. King does best: The pages melt away, and you are immersed in his world. I don't know how he does it. I try to pay attention to his technique, but instead I get lost in the story. Which is why I remain a "Constant Reader."
He did use some of his old tricks in these stories. No one pissed themselves, but two characters clenched their fists painfully tight. None to the point of bleeding, like in many of his stories. And shockingly, there was only one "Ayuh," though three of the tales were set in Maine.
Despite twenty years of reading his material, I have many books left to consume. No doubt, Absent Reader, I will get to them all.
INVICTUS
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.
William Ernest Henley
Finally watched "Invictus" last night. Difficult to imagine the horrors experienced by Mandela and his family, and the compassion born after his strife is something we should all seek.
Friday, January 21, 2011
CLINIC: Why do I like this band so much?
It's been 9 years since Paige and I moved to Atlanta, and Clinic was the first show we saw here. It was out in East Atlanta, at a club called the Echo Lounge. We had never even heard their music. I had read about them in Spin and noticed they were in town that week. "Walking with Thee" had just been released, so they primarily played these songs:
http://www.amazon.com/gp/recsradio/radio/B00005YX3X/ref=pd_krex_dp_001_001?ie=UTF8&track=001&disc=001
From then on, I was hooked.